ART ProChannel II Tube Preamp, Opto Compressor & EQ

$1069
SKU: ART-PROCHANNELIICE Category:

Experience pristine audio clarity and versatile tone shaping with the ART ProChannel II Tube Preamp, Opto Compressor & EQ. Enjoy clean and transparent gain in this discrete Class-A microphone preamp.

PID: 10690

Accepting Orders

$1069
Add to Quote
Shipping Info
Order Online for Delivery
Backorder
Web
Online Backorder
Backorder
VIC
Dandenong Backorder
Backorder
VIC
Richmond Backorder
Backorder
VIC
Ringwood Backorder
Backorder
NSW
Artarmon Backorder
Backorder
NSW
Smithfield Backorder
Backorder
QLD
Mansfield Backorder
Backorder
WA
Malaga Backorder
Seen a cheaper price elsewhere?
We'll match it!
Price Match
Price Match
Free Shipping
Free Shipping
This item comes with free shipping. Shipping fees may apply to other products.
Pay in 4 interest-free payments of $. More info
Pay /mth for 12 months interest free. Fees apply.

ART ProChannel II Tube Preamp, Opto Compressor & EQ

Unlock the full potential of your audio recordings with the ART ProChannel II. This professional-grade preamp delivers clean and transparent gain, allowing your sound to shine with clarity. Whether you’re tracking vocals, instruments, or mixing, its discrete Class-A circuitry offers rich tone and low noise performance.

Versatile Input Options and Control

Firstly, with a rear XLR input featuring continuously variable impedance and phantom power, the ART ProChannel II adapts to a wide range of microphones. Moreover, the front-facing 1/4″ instrument input provides a high impedance path and automatically disables the mic preamp for seamless use with guitars and other instruments. Also, gain controls offer up to 56dB for mics and 50dB for instruments with an additional 20dB tube gain switch for low output devices.

Dynamic and EQ Shaping to Perfect Your Sound

Furthermore, the included Opto Compressor/Limiter offers precise control over attack, release, and compression ratios. Consequently, helping tame peaks and shape dynamics smoothly. Additionally, the EQ section features four bands with selectable frequencies and up to 12dB of boost or cut, including low, two mids, and high-frequency controls, letting you finely sculpt your tone to taste.

Reliable Build and Audio Metering

Housed in a rugged all-steel rackmount chassis, the ART ProChannel II is built for professional use. Its tube preamp includes a selectable plate voltage switch to choose between warm saturation or higher headroom. Detailed analog and LED meters provide accurate level monitoring, so you stay in control of every session.

Key Features

  • Discrete Class-A microphone preamp with variable impedance and up to 56dB gain
  • Front panel high impedance instrument input that disables mic preamp when in use
  • Selectable low-cut filter from 10Hz to 250Hz for noise reduction
  • Tube preamp with adjustable plate voltage for tonal warmth or extended headroom
  • Invert switch for 180-degree phase shift on output
  • Phantom power supply for condenser mics
  • Opto Compressor/Limiter with adjustable attack, release, and compression ratio
  • Four-band EQ with selectable and continuously variable frequency tuning
  • Balanced and unbalanced outputs with high maximum output levels
  • Insert outputs for integrating external processors
  • Discrete Class-A microphone preamp with up to 56dB gain and variable impedance from 150 to 3.4K ohms
  • 1/4″ high impedance instrument input that automatically switches off mic preamp
  • Selectable low-cut filter from 10Hz to 250Hz to reduce rumble, wind noise, and pops
  • Tube preamp with adjustable plate voltage for warmth or increased gain and headroom
  • Invert switch for 180-degree output phase shift
  • Phantom power switch safely providing +48V for condenser microphone operation
  • Opto Compressor/Limiter with adjustable attack (250 µSec to 100 mSec), release (100 mSec to 3 Sec), and compression ratio (2:1 to 30:1)
  • EQ with +12 dB boost/cut bands: Low frequency selectable at 40 or 120 Hz, Mid 1 tuneable from 20 Hz to 2 kHz, Mid 2 tuneable from 200 Hz to 20 kHz, High frequency selectable at 6 kHz or 18 kHz
  • Preamp outputs balanced 600 ohms and unbalanced 300 ohms with up to +24 dBu maximum output level
  • Insert outputs at 300 ohms for external signal processing integration

Input Impedance: Mic 150 to 3.4K Ohms, Instrument 2.5M Ohms, Preamp Insert 7.5K Ohms
Output Impedance: Balanced Output 600 Ohms, Unbalanced Output 300 Ohms, Insert Outputs 300 Ohms
Frequency Response: 12 Hz to 100 KHz +0, -1 dB
THD: 1 KHz < .015% typical, 20 to 20 KHz < .033% typical
Equivalent Input Noise: Mic/Line -128 dBu, Instrument -109 dBu (max gain, A weighted)
Maximum Input Level: Mic +18 dBu balanced, Instrument +15 dBu
Maximum Gain: Mic 70 dB (XLR to balanced output), Instrument 64 dB (1/4” to balanced output)
Maximum Output level: Balanced +24 dBu, Unbalanced +20 dBu
Output Level At Meter 0 VU: +4 dBu/-10dBV
Preamp: Microphone Gain 0 dB to +56 dB, Instrument Gain +3 dB to +50 dB, Low Cut Filter 10 – 250 Hz, 1-pole, 6 dB/Octave
EQ: Boost/Cut +12 dB each band, Low Freq. Tunable 40 / 120 Hz, MID 1 Freq. Tunable 20 Hz to 2 kHz, MID 2 Freq. Tunable 200 Hz to 20 kHz, High Freq. Tunable 6 / 18 kHz
Compressor/Limiter: Attack Time 250 uSec to 100 mSec, Release Time 100 mSec to 3 Sec, Compression Ratio 2:1 to 30:1
Dimensions: 3.50” H x 19.0” W x 9.17” D
Weight: 11 lbs.
Power Requirements: USA – 105 to 125 VAC/ 60 Hz; Export units configured for country of destination

For more information, please visit the manufacturer's website.