AKG C214 Large-Diaphragm Condenser Microphone

AKG C214

The AKG C214 is a large-diaphragm professional condenser microphone. Designed as a cost-effective alternative to the high-end C414, while sporting a lot of similarities. Firstly, the C214 offers a supreme, one-inch capsule on an integrated suspension. Which works to reduce mechanical noise, just as the C414 does. On top of that, a switchable 20dB attenuation pad allows you to record loud sound sources up to 156dB SPL. While a switchable bass-cut filter on the C214 allows for close up recording with almost no proximity effect. Combining one capsule from the renowned C414 dual-capsule-system, with the patented AKG Back-Plate technology. As a result, the AKG C214 delivers outstanding performance, as close as you can get to the famous C414.

Use it on a variety of sources

If you're looking for a premium vocal microphone, you've found it with the AKG C214.  Well worth the investment for vocals alone. However, you'll find it also works just as well on a number of different instruments. Thanks to the switchable 20dB attenuation pad and low cut filter; you can use your AKGC213 in sound fields as high as 156dB SPL. So you'll have no trouble using it on stage for close-mic applications like your drum overheads, guitar amps, and high-output brass. So whatever the application, the C214 is sure to deliver professional, quality audio.

Quality AKG Construction

Engineered from the ground up, the AKG C214 is built to perform. Sporting an integrated capsule suspension that reduces mechanical noise and resonances, the C214 delivers even greater sonic accuracy. While the double mesh, all-metal grille protects the capsule. Ensuring high RF immunity without affecting your microphones acoustic performance. Finally, the AKG C214 is roadworthy too. Featuring a modern, scratch-resistant finish, dent-resistant metal grille, and gold-plated XLR output. So your C214 is sure to stand the test of time, even through travel and touring.    

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AKG C214

The AKG C214 is a large-diaphragm professional condenser microphone. Designed as a cost-effective alternative to the high-end C414, while sporting a lot of similarities. Firstly, the C214 offers a supreme, one-inch capsule on an integrated suspension. Which works to reduce mechanical noise, just as the C414 does. On top of that, a switchable 20dB attenuation pad allows you to record loud sound sources up to 156dB SPL. While a switchable bass-cut filter on the C214 allows for close up recording with almost no proximity effect.

Combining one capsule from the renowned C414 dual-capsule-system, with the patented AKG Back-Plate technology. As a result, the AKG C214 delivers outstanding performance, as close as you can get to the famous C414.

Use it on a variety of sources

If you’re looking for a premium vocal microphone, you’ve found it with the AKG C214.  Well worth the investment for vocals alone. However, you’ll find it also works just as well on a number of different instruments. Thanks to the switchable 20dB attenuation pad and low cut filter; you can use your AKGC213 in sound fields as high as 156dB SPL. So you’ll have no trouble using it on stage for close-mic applications like your drum overheads, guitar amps, and high-output brass. So whatever the application, the C214 is sure to deliver professional, quality audio.

Quality AKG Construction

Engineered from the ground up, the AKG C214 is built to perform. Sporting an integrated capsule suspension that reduces mechanical noise and resonances, the C214 delivers even greater sonic accuracy. While the double mesh, all-metal grille protects the capsule. Ensuring high RF immunity without affecting your microphones acoustic performance.

Finally, the AKG C214 is roadworthy too. Featuring a modern, scratch-resistant finish, dent-resistant metal grille, and gold-plated XLR output. So your C214 is sure to stand the test of time, even through travel and touring.

 

 

  • 1″ large diaphragm with Edge-Terminated Back-Plate technology
  • 143 dB dynamic range (up to 156 dB SPL)
  • Switchable 20 dB pad and 160 Hz low-cut filter
  • Integrated capsule suspension to reduce mechanical noise
  • Rugged double-mesh grille for RF immunity but unaffected acoustics
  • Spider-type shockmount, windscreen and metal carrying case included
  • All-metal die-cast body with shock- and scratch-resistant finish
  • Designed, engineered and built in Vienna, Austria

Audio frequency bandwidth: 20Hz – 20kHz

Equivalent noise level: 13 dB-A

Sensitivity: 20 mV/Pa

Signal to Noise: 81 dB-A

Pre-attenuation Pad: -20 dB

Bass cut filter: 160 Hz

Electrical impedance: 200 Ohms

Recommended load impedance: 1000 Ohms

Polar Patterns: Cardioid

Power Requirements: 9 to 52V

Current Draw: 2mA

Dimensions: 160 x 56 mm (each mic)

Weight: 300 g (each mic)

For more information, please visit the manufacturer's website.